Antonin Artaud Les malades et les médecins


The disease is a condition.
Health is only one other, more ugly.
I mean more cowardly and petty.
No patient who has grown.
Not healthy that will ever betrayed,
not wanting to be sick,
such as doctors I suffered.
I was sick all my life and I only ask to continue.
Because the states of deprivation of life
I have always learned a lot more about
the plethora of my power as credenzas petty bourgeois:
THE HEALTHY ENOUGH.
Because my being is beautiful but awful.
And it is beautiful because it is awful.
Ugly, Affre built awful.
Cure a disease is a crime.
This is bruise the head of a kid much less stingy than life.
The ugly con-rings.
The beautiful rots.
But ill, is not doped with opium, cocaine or morphine.
And you must love the charterer fevers,
jaundice and perfidy much more than any euphoria.
Then the fever, high fever my head –
because I am in a state of high fever
for the last fifty years that I’m alive –
give me my opium –
this being –
that,
I’m hot-headed,
opium head to toe.
Because cocaine is a bone,
heroin, over-bone man,
tra la sara i ca ca ca i fena tra la fa ca sara
and opium is this cave,
this cave mummification blood,
scrapings of the sperm in the cellar of an old excrémation this kid,
this disintegration of an old hole,
this excrémentation a kid,
little kid buried anus,
whose name is: poop, pee, con-science of disease.
And opium father fi fi
So that goes from father to son –
he must return you to the powder,
when you have suffered much without bed.
So I think that this is mine eternal sick,
heal all doctors –
born doctors deficiency disease –
not doctors ignorant of my statements
awful sick to me to impose their insulin,
a world of health slumped.

Antonin Artaud




Joseph Beuys’ Titus Andronicus/Iphigenie

Joseph Beuys’ Titus Andronicus/Iphigenie, performed on 30 May 1969 in the Theater am Turm in Frankfurt, for Experimenta 3. Wearing a fur coat, Beuys appeared on a darkened stage with a white horse. He used the myth and the drama of Iphigenia to draw attention to the freedom and the creativity of the individual.

Joseph_Beuys_Iphigenie_1

 

Playwright Peter Handke wrote a review of the piece for Die Zeit (13 June 1969):  “The further the event becomes […] the more the horse, the man walking around on the stage, and the voices from the loudspeakers become a vivid picture that might be called a desired ideal. In the memory, it seems branded into one’s own life, an image that makes one feel nostalgic and want to work on such images for oneself – for it is only as an after-image that it begins to take effect within oneself. An excited calm comes over one, only thinking about it; it stimulates one, it is such a painfully wonderful feeling that it becomes utopian – that is, political.”